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Adam Kirkpatrick,
tenor
Previous Seasons
Jana Young, soprano
Magdelana Wor, mezzo soprano
John Lawless, percussion
Esther Budiardjo, piano
Christina Smith, flute
Jen Mitchell, composer
Robert Cronin, composer

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Dr. Adam
Kirkpatrick, assistant professor of music at
Kennesaw State University, has sung operatic roles and
concerts professionally in many theaters throughout the
United States, singing with the Cincinnati Opera, Atlanta
Opera, Santa Fe Opera, Tri-Cities Opera (NY), Dayton Opera,
Florida State Opera, Knoxville Symphony, Newton Symphony
(Boston, MA), Tallahassee Symphony (FL), LaGrange Symphony
(GA), Axtell Symphony (NE) and more.
Kirkpatrick holds a BM and MM in voice performance from the
Cincinnati College-Conservatory of Music, and earned his
Doctor of Music degree from Florida State University. Though
he spends most of his professional life teaching voice and
singing, Kirkpatrick also finds time to write and publish
articles related to voice and singing. He is also author of
the novel Lincoln’s Shadow.
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Jana Young, soprano
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Praised for her beautiful lyric singing, most notably in the
bel canto repertoire, soprano Jana Young is a native of
Louisiana. She received her vocal training at Baylor
University in Waco, Texas, where she holds two degrees; a
B.M.Ed and a BM in Vocal Pedagogy. She later moved to
Dallas, Texas to continue her vocal study with Madeline
Sanders, a student of Gina Cigna. Mrs. Young moved to
Darmstadt, Germany upon scholarship with the American
Institute of Musical Studies and remained in Europe
performing in recitals, and concert. While in Darmstadt, Ms.
Young studied with Eva von Ambrosius of the Frankfurt
Stadtstheater. Upon returning to the United States, Mrs.
Young graduated with a M.M. in Vocal Performance from The
University of Louisiana-Monroe, where she studied with Dr.
John Burgin.
During her year at The University of
Louisiana Jana Young was selected to premiere Richard
Hervig's "Five Romantic Songs", the winner of the first NATS
song composition competition. She regularly sings with the
Naples Philharmonic under the direction of Maestro
Christopher Seamon, and sings with the Miami Bach Society,
the Miami Youth Orchestra, as soloist with the Civic Chorale
of Greater Miami, Collegium Musicum, Mainly Mozart Festival,
the Nakamichi Concert Series in Boston, and the University
of Miami Symphony Orchestra. Ms. Young was the soprano
soloist in Mahler's Symphony # 2, under noted Mahler expert,
Gilbert Kaplan, soloist in Haydn's Lord Nelson Mass,
Handel's Messiah, Beethoven's Mass in C major, and Mozart's
Solemn Vespers with the Bahamian National Choir and
Orchestra, in Nassau, Bahama. She also was the soprano
soloist in premiere and subsequent recording of Steven
Edward's Ave Maria Mass with the London Sinfonia Orchestra.
In 2003, Jana Young was the featured
soloist at Carnegie Hall, Weill Hall, for "A Birthday
Concert Celebration for Ned Rorem" with the noted composer
present. She was cited in the New York papers for her
ability to achieve the "near impossible" by alternating the
angular vocal lines with perfect skill and lyric beauty of
tone in performances of two of his most famous songs:
Alleluia and The Silver Swan, and as the soprano soloist
with the Miami Chamber Ensemble in Rorem"s Ariel: Five Poems
of Sylvia Plath. This past year, Mrs. Young was the soprano
soloist in Schubert"s Mass in Eb, with the Miami
Philharmonic Orchestra and Chorus under the direction of
Maestro Jo-Michael Scheibe.
From 1991-2005, Mrs. Young served on
the voice faculty at the University of Miami, Coral Gables,
Florida. Beginning in the fall of 2005, Ms. Young is
Artist-In-Residence on the voice faculty at Kennesaw State
University. Ms Young is also active as a vocal
clinician, adjudicator and Master Class Teacher. She is a
member of the National Association of Teachers of Singing.
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Magdalena Wór
is a First Place Winner of the Heinz Rehfuss
Vocal Competition, a Metropolitan Opera
Competition National Finalist, a Winner of the
Mozart Society of Atlanta Competition and an
alumna of the San Francisco Opera’s Merola
Summer Opera Program, Chautauqua Music
Institution’s Marlena Malas Voice Program, St.
Louis Opera Theatre’s Gerdine Young Artist
Program, and the Washington National Opera’s
Domingo-Cafritz Young Artist Program where she
sang the role of Zita in Gianni Schicchi for the
Young Artist Program and Grimgerge in Die
Walküre, Herdswoman in Jenůfa, the Witch in
Hansel and Gretel, Giovanna in Rigoletto and the
3rd Maidservant in Elektra for the main stage.
Recent engagements include Tisbe in Rossini’s La
Cenerentola with the Atlanta Opera, a Christmas
Concert with New Trinity Baroque, a recital at
the Polish Embassy in Washington DC, as well as
an evening of Russian Fairy Tale Operas with the
Russian Chamber Arts Society.
Ms. Wór’s upcoming performances include
Cherubino in Mozart’s Le Nozze di Figaro with
the Ashlawn Opera Festival, Haydn’s Lord Nelson
Mass with the National Philharmonic, and the
title role in Bizet’s Carmen with the Palm Beach
Opera.
Magdalena is originally from Poland and has
lived in the United States since 1991. She
received her Bachelor and Masters degrees in
vocal performance from Georgia State University
and studies with Magdalena Moulson-Falewicz.
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John Lawless
became Director of Percussion Studies at Kennesaw State
University in 2004. Principal Timpanist of the Atlanta Opera
since 1979, Mr. Lawless was appointed as Principal Timpanist
with the Chattanooga Symphony and Opera Orchestra in 1986.
Since 1978, Mr. Lawless has performed and recorded as an
extra with the Atlanta Symphony Orchestra while maintaining
a thriving freelance career as studio and pit percussionist.
A founding member of the Atlanta Percussion Trio, Mr.
Lawless performs more than 600 school concerts a year for
audiences totaling 300,000 annually. In 2004 the Atlanta
Percussion Trio performed as concerto soloists with the
Columbus Symphony Orchestra in “The Glory and the Grandeur”
by Russell Peck.
A graduate of Georgia State University, Mr. Lawless’s
teachers include Tom Float, Jack Bell, Cloyd Duff, Paul
Yancich, Bill Wilder, and Mark Yancich. Mr. Lawless’s
previous faculty appointments include those at Georgia State
University, Clark Atlanta University, and West Georgia State
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Pianist Esther Budiardjo
has received considerable acclaim from many respected music
critics. Richard Dyer of The Boston Globe wrote, “One
marvels at the subtlety and variety of her touch, and
sophisticated virtuosity of her fingers and her musical
mind.” Harold C. Schonberg of American Record Guide noted,
“The performances here are splendid. Budiardjo is a powerful
pianist who employs her superb technique with taste.” In
addition to winning first prize at the 1996 William Kapell
International Piano Competition in Maryland, she was awarded
top prizes at the 1993 Stravinsky Awards International Piano
Competition in Illinois and both the 1998 and the 2000 Palm
Beach Invitational International Piano Competition in
Florida.
In addition to performing across North America, in recent
years Ms. Budiardjo toured Southeast Asia as a solo
recitalist. In 2005, she performed at the newly opened Kuala
Lumpur Performing Arts Centre in Malaysia in its premier
HSBC Classics Piano Festival; at Gedung Kesenian Concert
Hall in Jakarta, Indonesia; and at Victoria Concert Hall as
part of the Singapore International Piano Festival. In 2004,
she gave recitals at San Francisco's Herbst Theatre in Four
Seasons Concerts' Distinguished Artists Series, and at
Washington & Jefferson College in Pennsylvania. Highlights
of 2007-08 solo appearances include a performance with the
South Carolina Philharmonic and a recital for Sundays Live
at the Los Angeles County Museum of Art.
Ms. Budiardjo’s recordings for the Pro Piano Records label
have gained wide international recognition. Her
interpretations of Mendelssohn's music in her debut
recording prompted the following statement from American
Record Guide, “Mendelssohn's piano works were always
wonderfully crafted, and when they are played as well as
this, they are endlessly enjoyable.” In 2000 Philadelphia
Inquirer selected her second recording which features the
music of Godowsky and Tansman as one of its top 10 classical
CDs. In a glowing review of Ms. Budiardjo’s third recording
which features works by Moszkowski and Brahms, Gramophone
magazine wrote, “Budiardjo is clearly a pianist to watch.”
September 2005 marks the release of her fourth recording, a
two-CD compilation of Henselt’s music.
In prior seasons Ms. Budiardjo has given recitals in Lincoln
Center in New York City, Kennedy Center in Washington, D.C.,
Jordan Hall in Boston, le Théâtre Royal de la Monnaie in
Brussels, the Harmony Hall in Matsumoto, and various other
concert venues around the world. She has made concerto
appearances with the Orpheus Chamber Orchestra, Baltimore
Symphony, the Boston Philharmonic, the Omaha Symphony, the
Belgian National Orchestra, and others. In North America,
National Public Radio and CBC Radio have featured her
performances in their broadcasts.
Born in Jakarta, Indonesia, Ms. Budiardjo received the
Doctorate degree and the Presidential Scholar Award from the
New England Conservatory of Music in Boston. Her principal
teachers have been Wha Kyung Byun, Russell Sherman and Lev
Vlasenko. A Walnut Hill School for the Performing Arts
graduate, she has attended the Steans Institute for Young
Artists at the Ravinia Festival, Music Academy of the West
in Santa Barbara and the Banff Centre for the Arts in
Canada. Currently she resides in Vancouver, Canada. |
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